Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz

Electrography in exponents of graphic creation, addresses the contributions of some representative artists, such as Mario Rangel Faz +, who from a personal appreciation is one of the precursors of electrographic work in Mexico, both for the technique and for its conceptual contribution. From an urba...

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Detalles Bibliográficos
Autor: Mora, Victor
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:México
Institución:UNIVERSIDAD AUTÓNOMA DEL ESTADO DE HIDALGO
Repositorio:MAGOTZI Boletín Científico de Artes del IA
Idioma:español
OAI Identifier:oai:repository.uaeh.edu.mx:article/5048
Acceso en línea:https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/5048
Access Level:acceso abierto
Palabra clave:art
engraving
graphic
image
current
political
social
culture
ocncepts
electrography
engravers
artist
arte
grabado
gráfica
imagen
actual
política
cultura
conceptos
electrografía
grabadores
artistas
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network_acronym_str MX
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spelling Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz Electrografía en México: exponentes de la creación gráfica. Mario Rangel FazMora, VictorartengravinggraphicimagecurrentpoliticalsocialcultureocnceptselectrographyengraversartistartegrabadográficaimagenactualpolíticaculturaconceptoselectrografíagrabadoresartistasElectrography in exponents of graphic creation, addresses the contributions of some representative artists, such as Mario Rangel Faz +, who from a personal appreciation is one of the precursors of electrographic work in Mexico, both for the technique and for its conceptual contribution. From an urban and critical perspective, we are an artist who has enriched the discipline of the Graphic, providing diverse knowledge based on experimentation. For example, through a simple language dealing with their prints, they will express urbanity - city and world - from their contrasts, and they obtained that reflection in what they could name “images without a fixed time”, which keep a current character for any generation. Mario Rangel was in a constant evolution, so it appears in the field of academic training; He was also an observer and promoter of social, political and cultural causes of his time to and from the city. For this, and as a tribute, an analysis of his work, career and contribution was made not only to the world of Mexican art, but worldwide.Electrografía en exponentes de la creación gráfica, aborda las contribuciones de algunos artistas representativos, como Mario Rangel Faz +, quien desde una apreciación personal es uno de los precursores del trabajo electrográfico en México, tanto por la técnica como por su contribución conceptual. Desde una visión urbana y crítica esté artista ha enriquecido la disciplina de la Gráfica aportado diversos conocimientos a partir de la experimentación. Por ejemplo, a través de un lenguaje sencillo trato de que sus estampas expresaran la urbanidad -ciudad y mundo- desde sus contrastes, y consiguio ese reflejo en lo que se podrían nombrar “imágenes sin tiempo fijo”, las cuales guardan un carácter de actualidad para cualquier generación. Mario Rangel estuvo en una constante evolución, por lo que figura en el ámbito de la formación académica; también fue observador y promotor de causas sociales, políticas y culturales de su tiempo desde y para la ciudad. Por esto, y a manera de homenaje, se hizo un análisis de su obra, trayectoria y aportación no sólo al mundo del arte mexicano, sino mundial.Universidad Autónoma del Estado de Hidalgo2020-01-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/504810.29057/ia.v8i15.5048MAGOTZI Boletín Científico de Artes del IA; Vol 8 No 15 (2020): MAGOTZI Boletín Científico de Artes del IA; 55-62MAGOTZI Boletín Científico de Artes del IA; Vol. 8 Núm. 15 (2020): MAGOTZI Boletín Científico de Artes del IA; 55-622007-492110.29057/ia.v8i15reponame:MAGOTZI Boletín Científico de Artes del IAinstname:UNIVERSIDAD AUTÓNOMA DEL ESTADO DE HIDALGOinstacron:UAEHspahttps://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/5048/6932info:eu-repo/semantics/openAccessoai:repository.uaeh.edu.mx:article/50482024-08-20T03:14:30Z
dc.title.none.fl_str_mv Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
Electrografía en México: exponentes de la creación gráfica. Mario Rangel Faz
title Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
spellingShingle Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
Mora, Victor
art
engraving
graphic
image
current
political
social
culture
ocncepts
electrography
engravers
artist
arte
grabado
gráfica
imagen
actual
política
cultura
conceptos
electrografía
grabadores
artistas
title_short Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
title_full Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
title_fullStr Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
title_full_unstemmed Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
title_sort Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
dc.creator.none.fl_str_mv Mora, Victor
author Mora, Victor
author_facet Mora, Victor
author_role author
dc.subject.none.fl_str_mv art
engraving
graphic
image
current
political
social
culture
ocncepts
electrography
engravers
artist
arte
grabado
gráfica
imagen
actual
política
cultura
conceptos
electrografía
grabadores
artistas
topic art
engraving
graphic
image
current
political
social
culture
ocncepts
electrography
engravers
artist
arte
grabado
gráfica
imagen
actual
política
cultura
conceptos
electrografía
grabadores
artistas
description Electrography in exponents of graphic creation, addresses the contributions of some representative artists, such as Mario Rangel Faz +, who from a personal appreciation is one of the precursors of electrographic work in Mexico, both for the technique and for its conceptual contribution. From an urban and critical perspective, we are an artist who has enriched the discipline of the Graphic, providing diverse knowledge based on experimentation. For example, through a simple language dealing with their prints, they will express urbanity - city and world - from their contrasts, and they obtained that reflection in what they could name “images without a fixed time”, which keep a current character for any generation. Mario Rangel was in a constant evolution, so it appears in the field of academic training; He was also an observer and promoter of social, political and cultural causes of his time to and from the city. For this, and as a tribute, an analysis of his work, career and contribution was made not only to the world of Mexican art, but worldwide.
publishDate 2020
dc.date.none.fl_str_mv 2020-01-05
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/5048
10.29057/ia.v8i15.5048
url https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/5048
identifier_str_mv 10.29057/ia.v8i15.5048
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/5048/6932
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Autónoma del Estado de Hidalgo
publisher.none.fl_str_mv Universidad Autónoma del Estado de Hidalgo
dc.source.none.fl_str_mv MAGOTZI Boletín Científico de Artes del IA; Vol 8 No 15 (2020): MAGOTZI Boletín Científico de Artes del IA; 55-62
MAGOTZI Boletín Científico de Artes del IA; Vol. 8 Núm. 15 (2020): MAGOTZI Boletín Científico de Artes del IA; 55-62
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reponame_str MAGOTZI Boletín Científico de Artes del IA
collection MAGOTZI Boletín Científico de Artes del IA
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