Electrography in Mexico: Exponents of Graphic Creation. Mario Rangel Faz
Electrography in exponents of graphic creation, addresses the contributions of some representative artists, such as Mario Rangel Faz +, who from a personal appreciation is one of the precursors of electrographic work in Mexico, both for the technique and for its conceptual contribution. From an urba...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | México |
| Institución: | UNIVERSIDAD AUTÓNOMA DEL ESTADO DE HIDALGO |
| Repositorio: | MAGOTZI Boletín Científico de Artes del IA |
| Idioma: | español |
| OAI Identifier: | oai:repository.uaeh.edu.mx:article/5048 |
| Acceso en línea: | https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/5048 |
| Access Level: | acceso abierto |
| Palabra clave: | art engraving graphic image current political social culture ocncepts electrography engravers artist arte grabado gráfica imagen actual política cultura conceptos electrografía grabadores artistas |
| Sumario: | Electrography in exponents of graphic creation, addresses the contributions of some representative artists, such as Mario Rangel Faz +, who from a personal appreciation is one of the precursors of electrographic work in Mexico, both for the technique and for its conceptual contribution. From an urban and critical perspective, we are an artist who has enriched the discipline of the Graphic, providing diverse knowledge based on experimentation. For example, through a simple language dealing with their prints, they will express urbanity - city and world - from their contrasts, and they obtained that reflection in what they could name “images without a fixed time”, which keep a current character for any generation. Mario Rangel was in a constant evolution, so it appears in the field of academic training; He was also an observer and promoter of social, political and cultural causes of his time to and from the city. For this, and as a tribute, an analysis of his work, career and contribution was made not only to the world of Mexican art, but worldwide. |
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