El borrado como estrategia de producción artística
[EN] With the analysis of the performance "Vienna says ..." by the German artist Nasan Tur we try to demonstrate how erasure is not only a practice that is reached through subtraction, but also through addiction. And how this practice has much to do with the over abundance of image...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/106591 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/106591 |
| Access Level: | acceso abierto |
| Palabra clave: | Negación Pintura Borrado Palabra Denial Painting Erasure Word |
| Sumario: | [EN] With the analysis of the performance "Vienna says ..." by the German artist Nasan Tur we try to demonstrate how erasure is not only a practice that is reached through subtraction, but also through addiction. And how this practice has much to do with the over abundance of images and the loss of identity. This analysis is part of a more extensive work that we develop on the anti-traditional practices in contemporaneity |
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