El tapado de la imagen como estrategia de producción artística
[EN] This article analyzes the work "Mirror" by David Hammons, to demonstrate how the capping of the work of art continues to be a critical strategy of anti f existentialism against the abundance of images. This is an analysis and an interpretation that is part of a more extensive...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/107588 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/107588 |
| Access Level: | acceso abierto |
| Palabra clave: | Negación Antivisualidad Tapado Espejo Denial Antivisual Covered Mirror |
| Sumario: | [EN] This article analyzes the work "Mirror" by David Hammons, to demonstrate how the capping of the work of art continues to be a critical strategy of anti f existentialism against the abundance of images. This is an analysis and an interpretation that is part of a more extensive work that we develop on the anti-traditional practices in the contemporaneity. |
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