The Graciliano Ramos' perspective on the decadence of the Brazilian novel
The article discusses the positions of Graciliano Ramos, Otto Maria Carpeaux and Nelson Werneck Sodré in the left-wing in Brazil, related to the cycle of “Romance of 1930” by constrating the heterodoxy of Graciliano and Carpeaux to the usual Standards in the marxism cristicism.
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Temáticas (Campinas. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:inpec.econtents.bc.unicamp.br:article/13673 |
| Acceso en línea: | https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/13673 |
| Access Level: | acceso abierto |
| Palabra clave: | Novel Culture Dualism Language Comunism Romance Cultura Dualismo Idioma Comunismo Linguagem |
| Sumario: | The article discusses the positions of Graciliano Ramos, Otto Maria Carpeaux and Nelson Werneck Sodré in the left-wing in Brazil, related to the cycle of “Romance of 1930” by constrating the heterodoxy of Graciliano and Carpeaux to the usual Standards in the marxism cristicism. |
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