Artivism - tensions between life and art: the experience of a performer in the Worecü ritual
The experience of a ritual belonging to another culture allows us to think about many issues related to our own culture, from a kind of ‘detachment’, because when ‘looking’ the other we end up perceiving aspects of ourselves. For a performer, experiencing a female initiation ritual, in this case, of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Conceição/Conception |
| Idioma: | portugués inglés |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8662087 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8662087 |
| Access Level: | acceso abierto |
| Palabra clave: | Artivismo Performance Ritual Artivism |
| Sumario: | The experience of a ritual belonging to another culture allows us to think about many issues related to our own culture, from a kind of ‘detachment’, because when ‘looking’ the other we end up perceiving aspects of ourselves. For a performer, experiencing a female initiation ritual, in this case, of the Tikuna indigenous people: Worecü, is reflecting on how much the context in which we live influences our artistic making, since life and art are intertwined, thinking from the concept of artivism. |
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