Batucando-Cantando-Dançando: saberes corporificados, celebração e contestação política no maracatu em São Paulo
Starting from the discussion about the relationship between the recent groups and the traditional nações de maracatu, this article attempts to understand the role of the body as a fulcrum for thinking about the creation and transmission of knowledge and memories. It also discusses how the maracatu c...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | GIS - Gesto, Imagem e Som - Revista de Antropologia |
| Idioma: | inglés portugués |
| OAI Identifier: | oai:revistas.usp.br:article/201694 |
| Acceso en línea: | https://www.revistas.usp.br/gis/article/view/201694 |
| Access Level: | acceso abierto |
| Palabra clave: | Maracatu Corpo Performance Artivismo Localidade Body Artivism Locality |
| Sumario: | Starting from the discussion about the relationship between the recent groups and the traditional nações de maracatu, this article attempts to understand the role of the body as a fulcrum for thinking about the creation and transmission of knowledge and memories. It also discusses how the maracatu can present itself as a political complex for the groups that generate it, and be disputed as a political instrument - as rhythm or sign of Brazilianness - by agents outside these communities. From a field experience with the maracatu in an artivist political demonstration in defense of democracy, in São Paulo, 2018, it is proposed to understand such participation as a performance that generates new localities. |
|---|