Memory and artivism: the spells of Jaider Esbell's art
This text does not intend to cover Jaider’s entire trajectory. Esbell, not even make any critical analysis regarding the nature of his work from a strictly academic perspective, we aim to bring a little of the immense universe that was Jaider’s journey to address the sensitive aspect of this artist,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Revista Fim do Mundo (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www2.marilia.unesp.br:article/17139 |
| Acceso en línea: | https://revistas.marilia.unesp.br/index.php/RFM/article/view/17139 |
| Access Level: | acceso abierto |
| Palabra clave: | memory indigenous people artivism memoria pueblos indigenas artivismo memória povos indígenas |
| Sumario: | This text does not intend to cover Jaider’s entire trajectory. Esbell, not even make any critical analysis regarding the nature of his work from a strictly academic perspective, we aim to bring a little of the immense universe that was Jaider’s journey to address the sensitive aspect of this artist, writer, scholar, and curator of art related to his encounter with the sertão, and consequently awaken the reader’s interest in one of the parts of the trajectory and performance by Jaider, by addressing ecological issues through his art on Amazon and Caatinga. |
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