Trilogy in Minor Solos: ATeliê voadOR/Brazil Scenic Practices
This article intends to re?ect on the relationships between art, society, and politics in the laboratory practices of ATeliê voadOR. Thus, it is intended to analyze the discursive and performative strategies, focusing on three of its solo shows: Three Cigarettes & The Last Lasagna, The Other...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Idioma: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/26817 |
| Acceso en línea: | http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26817 |
| Access Level: | acceso abierto |
| Palabra clave: | ATeliê voadOR Teatro Laboratorio Prácticas Escénicas Sociedad y Política Lab Theater Scenic Practices Society and Politcs Teatro Laboratório Práticas Cênicas Sociedade e Política |
| Sumario: | This article intends to re?ect on the relationships between art, society, and politics in the laboratory practices of ATeliê voadOR. Thus, it is intended to analyze the discursive and performative strategies, focusing on three of its solo shows: Three Cigarettes & The Last Lasagna, The Other Side of All Things, and An Impossible Woman, and how these perform the critical function of encompassing and reshaping the dynamics of con?guring a more just and democratic society in Brazil from the first decade of the 21st century. |
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