Female representations in Mexican cinema, analysis from “Enamorada”, “Nosotros los Pobres” and “El sinvergüenza”
This text aims to make an analysis of three films of Mexican cinema, two of which belonged to the well-known “golden era”, the films that will be taken up throughout this writing are: “Enamorada” by director Emilio “Indio” Fernández, “Nosotros los Pobres” directed by Ismael Rodríguez and finally “El...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | México |
| Institución: | UNIVERSIDAD VERACRUZANA |
| Repositorio: | Interconectando Saberes |
| Idioma: | español |
| OAI Identifier: | oai:is.uv.mx:article/2853 |
| Acceso en línea: | https://is.uv.mx/index.php/IS/article/view/2853 |
| Access Level: | acceso abierto |
| Palabra clave: | Violencia Género Mujeres Cine Mexicano Violence Gender Women Mexican Cinema |
| Sumario: | This text aims to make an analysis of three films of Mexican cinema, two of which belonged to the well-known “golden era”, the films that will be taken up throughout this writing are: “Enamorada” by director Emilio “Indio” Fernández, “Nosotros los Pobres” directed by Ismael Rodríguez and finally “El sinvergüenza” by José Díaz Morales. The purpose of this study is to observe the continuities in the dynamics, roles, behavioral models, and gender violence to which women have been subjected throughout history. |
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