Mexican Silent Film’s Chronicle: Elena Sánchez Valenzuela (1919-1929)
This text aims to rescue and evaluate the Mexican Silent Film´s chronicles published by Elena Sánchez Valenzuela between 1919 and 1929. It does so through an historiographic perspective and as a first approach to the women´s history and the film culture that led to the readers of the newspapers in t...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Uruguay |
| Recursos: | Universidad Católica del Uruguay |
| Repositorio: | LIBERI |
| Idioma: | español |
| OAI Identifier: | oai:liberi.ucu.edu.uy:10895/5947 |
| Acesso em linha: | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1170 https://hdl.handle.net/10895/5947 |
| Access Level: | acceso abierto |
| Palavra-chave: | historiografía cine silente mexicano crónica de cine cultura fílmica mujeres mexicanas historiography Mexican silent films cinema chronicle film culture Mexican women |
| Resumo: | This text aims to rescue and evaluate the Mexican Silent Film´s chronicles published by Elena Sánchez Valenzuela between 1919 and 1929. It does so through an historiographic perspective and as a first approach to the women´s history and the film culture that led to the readers of the newspapers in the Mexican capital of these years. To the women´s history, because the particular case of Sánchez Valenzuela is linked to a career attached to a society in which a patriarchal ideology prevailed. To the silent Mexican´s film history, because it points on the cinema conception as art, spectacle and cultural industry, and to the culture film for better knowing if Sánchez Valenzuela´s work as a cinema chronicler contributed to the audience’s better appreciation of cinema. As a method, this work uses documental research and content analysis. |
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