Las manos actoras de Mane Bernardo y Sarah Bianchi: pantomima de manos y teatro de títeres moderno en Argentina
This article analyzes the work with the bare hand developed since the 1950s by Mane Bernardo and Sarah Bianchi, and which led to the formation of a technique called hand pantomime. The limits of the traditional definition of puppet and the practices it encompasses, will be examined, along with the n...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2808 |
| Acceso en línea: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2808 |
| Access Level: | acceso abierto |
| Palabra clave: | Teatro de títeres títere tradicional experimentación títere moderno Argentina Puppet theater traditional puppet experimentation modern puppet |
| Sumario: | This article analyzes the work with the bare hand developed since the 1950s by Mane Bernardo and Sarah Bianchi, and which led to the formation of a technique called hand pantomime. The limits of the traditional definition of puppet and the practices it encompasses, will be examined, along with the notion of experimentation proposed by Ber-nardo, marked by the tensions between tradition and modernity. This seeks to place this experience among those that contributed to the modernization of the puppet theatre in Argentina. |
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