Interpretación esotérica del Cartón de Burlington House de Leonardo: la familia de Hades
[EN] We start with an attempt of multidisciplinarity with the application of Classical Culture to the artistic context that we analyze. We propose an esoteric interpretation. We use a structural method, a signifier, a meaning, but divided into two modes of meaning, superficial and deep: in the super...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/202728 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/202728 |
| Access Level: | acceso abierto |
| Palabra clave: | Art Classic Culture Demeter-Persephone Primordial serpent Arte Cultura Clásica Deméter-Perséfone Serpiente primordial |
| Sumario: | [EN] We start with an attempt of multidisciplinarity with the application of Classical Culture to the artistic context that we analyze. We propose an esoteric interpretation. We use a structural method, a signifier, a meaning, but divided into two modes of meaning, superficial and deep: in the superficial plane the Virgin with the Child and Santa Ana with San Juan are opposed; in the deep plane, to which we dedicate our preferential attention, we study the structure that underlies its superficial treatment, that is: the classic myth of those known as The Goddesses or The Two Goddesses , the Eleusinian goddesses, that is, Demeter (archetype of the Mother)-Persephone (archetype of the Daughter) in indestructible Unity, with the divine Child Dionysus (primordial child) and John the Baptist-child. Leonardo s own life is involved, in the relationship with his mother, within which Leonardo s dream with a Bird of Prey is inserted. Androgyny constitutes an important element inthe configuration of the work. |
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