Interpretación esotérica del Cartón de Burlington House de Leonardo: la familia de Hades

[EN] We start with an attempt of multidisciplinarity with the application of Classical Culture to the artistic context that we analyze. We propose an esoteric interpretation. We use a structural method, a signifier, a meaning, but divided into two modes of meaning, superficial and deep: in the super...

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Detalhes bibliográficos
Autor: Echarte Cosío, María José Ana
Tipo de documento: artigo
Data de publicação:2024
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositório:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:espanhol
OAI Identifier:oai:riunet.upv.es:10251/202728
Acesso em linha:https://riunet.upv.es/handle/10251/202728
Access Level:Acceso aberto
Palavra-chave:Art
Classic Culture
Demeter-Persephone
Primordial serpent
Arte
Cultura Clásica
Deméter-Perséfone
Serpiente primordial
Descrição
Resumo:[EN] We start with an attempt of multidisciplinarity with the application of Classical Culture to the artistic context that we analyze. We propose an esoteric interpretation. We use a structural method, a signifier, a meaning, but divided into two modes of meaning, superficial and deep: in the superficial plane the Virgin with the Child and Santa Ana with San Juan are opposed; in the deep plane, to which we dedicate our preferential attention, we study the structure that underlies its superficial treatment, that is: the classic myth of those known as The Goddesses or The Two Goddesses , the Eleusinian goddesses, that is, Demeter (archetype of the Mother)-Persephone (archetype of the Daughter) in indestructible Unity, with the divine Child Dionysus (primordial child) and John the Baptist-child. Leonardo s own life is involved, in the relationship with his mother, within which Leonardo s dream with a Bird of Prey is inserted. Androgyny constitutes an important element inthe configuration of the work.