Louise Glück’s «Persephone the Wanderer» read from a psychoanalytic and Classical Receptions perspective

Louise Glück provides a compelling example of Classical Receptions in contemporary poetry. Hence, this paper aims at discussing Glück’s psychoanalytic interpretation of the so-called Homeric Hymn to Demeter and «Persephone the Wanderer», a poem pertaining to Glück’s Averno (2006), attempting to demo...

Descripción completa

Detalles Bibliográficos
Autor: Kichouh Aiadi, Sanae
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:España
Institución:Universidad de La Laguna (ULL)
Repositorio:RIULL. Repositorio Institucional de la Universidad de La Laguna
OAI Identifier:oai:riull.ull.es:915/30990
Acceso en línea:http://riull.ull.es/xmlui/handle/915/30990
Access Level:acceso abierto
Palabra clave:Louise Glück
Persephone and Demeter
Classical Receptions
psychoanalysis
Descripción
Sumario:Louise Glück provides a compelling example of Classical Receptions in contemporary poetry. Hence, this paper aims at discussing Glück’s psychoanalytic interpretation of the so-called Homeric Hymn to Demeter and «Persephone the Wanderer», a poem pertaining to Glück’s Averno (2006), attempting to demonstrate the appropriation of the myth of Demeter and Persephone from a psychoanalytic approach. After an introduction to the Homeric Hymn to Demeter (Foley, 1994), and Louise Glück and her poem «Persephone the Wanderer», I will compare the myth of Demeter and Persephone in the Homeric Hymn to Demeter with Glück’s «Persephone the Wanderer». From a psychoanalytic perspective, Demeter’s psychological state will be addressed while pointing out her motherhood and her grief, and then I will associate the concept of narcissism to both Demeter and Hades in Glück’s poem and its impact on Persephone.