Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU

[EN] In this paper I will discuss how realIvirtual dyad has an artistic application in the Transborder(Immigrant(Tool project from the San Diego CaliforniaIUSA collective, Electronic Disturbance Theater. This project consists of a GPS mobile phone application that seeks to assist migrants in the Anz...

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Detalhes bibliográficos
Autor: CASTAÑEDA ARREDONDO, ERIKA
Formato: capítulo de livro
Fecha de publicación:2015
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/88410
Acesso em linha:https://riunet.upv.es/handle/10251/88410
Access Level:acceso abierto
Palavra-chave:Arte
Producción artística
Estética
Teoría del Arte
Gestión cultural
Educación artística
Investigación artística
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spelling Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUUCASTAÑEDA ARREDONDO, ERIKAArteProducción artísticaEstéticaTeoría del ArteGestión culturalEducación artísticaInvestigación artística[EN] In this paper I will discuss how realIvirtual dyad has an artistic application in the Transborder(Immigrant(Tool project from the San Diego CaliforniaIUSA collective, Electronic Disturbance Theater. This project consists of a GPS mobile phone application that seeks to assist migrants in the AnzaIBorrego desert USA I Mexico border. It assists to locate water reservoirs which have been installed by several humanitarian NGO’s, using a compass interface that indicates the way forward. The app has a series of poemsIinstructions which contain useful data to help survival into the desert. I propose to consider realIvirtual dyad rather than an opposition as a juxtaposition between what is real and what is possible in two ways. The first concerns the manner in which this project aesthetically interrogates the visibility of migrants in the border that is an operator of the real which functions through the mobilization and exclusion of the migrant as a subject to control and backflow monitoring. The second seeks to explain the levels at which the discussion about the possible operates in the artwork. So at the political level we can reflect what may be possible; at the technological level how to do it possible: the desire; and at the aesthetic level we turn back on the impossibility of free transit at the border, to set off an imaginary of access and hospitality.Editorial Universitat Politècnica de ValènciaRepositorio Institucional de la Universitat Politècnica de València Riunet20152015-11-26book parthttp://purl.org/coar/resource_type/c_3248VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/bookPartapplication/pdfhttps://riunet.upv.es/handle/10251/88410reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valénciainstname:Universitat Politècnica de València (UPV)Españolspaopen accesshttp://purl.org/coar/access_right/c_abf2Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:riunet.upv.es:10251/884102026-06-13T07:49:27Z
dc.title.none.fl_str_mv Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
title Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
spellingShingle Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
CASTAÑEDA ARREDONDO, ERIKA
Arte
Producción artística
Estética
Teoría del Arte
Gestión cultural
Educación artística
Investigación artística
title_short Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
title_full Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
title_fullStr Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
title_full_unstemmed Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
title_sort Transborder Immigrant Tool. Lo real frente a lo virtual de una propuesta artística de movilidad en la frontera México-EEUU
dc.creator.none.fl_str_mv CASTAÑEDA ARREDONDO, ERIKA
author CASTAÑEDA ARREDONDO, ERIKA
author_facet CASTAÑEDA ARREDONDO, ERIKA
author_role author
dc.contributor.none.fl_str_mv Repositorio Institucional de la Universitat Politècnica de València Riunet
dc.subject.none.fl_str_mv Arte
Producción artística
Estética
Teoría del Arte
Gestión cultural
Educación artística
Investigación artística
topic Arte
Producción artística
Estética
Teoría del Arte
Gestión cultural
Educación artística
Investigación artística
description [EN] In this paper I will discuss how realIvirtual dyad has an artistic application in the Transborder(Immigrant(Tool project from the San Diego CaliforniaIUSA collective, Electronic Disturbance Theater. This project consists of a GPS mobile phone application that seeks to assist migrants in the AnzaIBorrego desert USA I Mexico border. It assists to locate water reservoirs which have been installed by several humanitarian NGO’s, using a compass interface that indicates the way forward. The app has a series of poemsIinstructions which contain useful data to help survival into the desert. I propose to consider realIvirtual dyad rather than an opposition as a juxtaposition between what is real and what is possible in two ways. The first concerns the manner in which this project aesthetically interrogates the visibility of migrants in the border that is an operator of the real which functions through the mobilization and exclusion of the migrant as a subject to control and backflow monitoring. The second seeks to explain the levels at which the discussion about the possible operates in the artwork. So at the political level we can reflect what may be possible; at the technological level how to do it possible: the desire; and at the aesthetic level we turn back on the impossibility of free transit at the border, to set off an imaginary of access and hospitality.
publishDate 2015
dc.date.none.fl_str_mv 2015
2015-11-26
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
format bookPart
dc.identifier.none.fl_str_mv https://riunet.upv.es/handle/10251/88410
url https://riunet.upv.es/handle/10251/88410
dc.language.none.fl_str_mv Español
spa
language_invalid_str_mv Español
language spa
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editorial Universitat Politècnica de València
publisher.none.fl_str_mv Editorial Universitat Politècnica de València
dc.source.none.fl_str_mv reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
instname:Universitat Politècnica de València (UPV)
instname_str Universitat Politècnica de València (UPV)
reponame_str RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
collection RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,300719

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