La herida y el píxel. La desmaterialización del cuerpo pictórico en la era digital
[EN] Digital culture is introducing dematerialization in many facets of our life, and art cannot escape this influx. The hurtful carnality reached by the pictorial representation of the body in the middle of the twentieth century has left room for a new fragmented body that approaches the aesthetics...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/88436 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/88436 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística |
| Sumario: | [EN] Digital culture is introducing dematerialization in many facets of our life, and art cannot escape this influx. The hurtful carnality reached by the pictorial representation of the body in the middle of the twentieth century has left room for a new fragmented body that approaches the aesthetics of digital glitch art. This documentary study focuses on the latter stage of the evolution of this pictorial icon in its degradation, allowing us to reflect on how the recent painting reflects the changes that happen in today's society, and how the pictorial body responds to truths of our being. Glitch is revealed today as a break in an environment marked by the desire for perfection; is the accident that uncovers the artifice of the overload of images that keeps us in a lethargic existence of simulations. |
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