Arte y fotografía doméstica en la era de internet. Algunos casos significativos
[EN] Since the inception of Photography, it presented radical changes in visual culture. But it was not until 1888 with the release of the first Kodak camera, which turns into an accessible art for everyone. The famous slogan "You press the button, we do the rest" was associated wi...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/88629 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/88629 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística |
| Sumario: | [EN] Since the inception of Photography, it presented radical changes in visual culture. But it was not until 1888 with the release of the first Kodak camera, which turns into an accessible art for everyone. The famous slogan "You press the button, we do the rest" was associated with a manageable camera by any user. This led to the emergence of domestic and family photography and its extension to broad social layers. Photographing everyday life is, then, a practice that has been heightened by the emergence of digital photography and the Internet. Numerous artists, making extensive reinterpretation of imagery created by decades of practice for this type of photography, make their domestic experiences in the matter of his work. If the autobiographical aspect could be a common feature of many artworks, everyday life as a creative pretext materializes through the photographic technique and the evolution of the phenomenon of family album. Thus, during the 80s and 90s artists that capture their own reality as an artistic project arise. Artists like Nan Goldin and Richard Billingham, which seem to reflect an absolute spontaneity, using a raw photo with flash and without artifice; others, such as Sally Mann, who turn to a more careful and precious aesthetics. These prior to the arrival of the digital age, jobs are the prelude to a type of young artists whose work can not be understood without this ocean of images representing internet, social networks and how they work as windows of the everyday. Olivia Bee, Maya Kapouski or Alejandra vacuii, perform visual diaries that ride between analog and digital, the domestic and the artistic, forming proposals related to the same visual world created and developed by domestic and private photographic practices, oversized now online. |
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