Mamá estuvo aquí: imagen, cuerpo y memoria en el arte visual contemporáneo
[EN] Historical events produced in Latin America, mainly between the decades of the 70's and 80's in Argentina and Chile, represent a situation of emotional limbo for thousands of people who, in some cases, find in artistic production a mode of resilience. Moreover, restitution pol...
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| Tipo de documento: | capítulo de livro |
| Data de publicação: | 2015 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositório: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | espanhol |
| OAI Identifier: | oai:riunet.upv.es:10251/88358 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/88358 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística |
| Resumo: | [EN] Historical events produced in Latin America, mainly between the decades of the 70's and 80's in Argentina and Chile, represent a situation of emotional limbo for thousands of people who, in some cases, find in artistic production a mode of resilience. Moreover, restitution policies are created. Violence and disappearance transform the trauma into a permanent state within a generation of sons and daughters, who are refused by hegemonic power. The art of Veronica Maggi and Lucila Quieto searches the necessity of the body as a strong physical support. The hybridization between what is analog and what is virtual Gin the case of Veronica Maggi and Lucila Quieto's mappingG goes beyond the numeric process or photochemical materialization of the image and moves toward the real problem, which emerges from material facts and their subsequent appointment linguistic: "Neither alive nor dead". |
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