El resurgir de Pandora como "
[EN] The myth of Pandora seems to have crossed the last three centuries without being diminished in its literary and artistic dimension as well as in modern philosophy. Precisely because of its ambivalence, the fatality linked to Pandora has been the subject of numerous rewritings of the myth in rec...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/192143 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/192143 |
| Access Level: | acceso abierto |
| Palabra clave: | Myth-criticism Imaginary Landscape Pandora Ecofeminism Mitocrítica Imaginario Paisaje Ecofeminismo |
| Sumario: | [EN] The myth of Pandora seems to have crossed the last three centuries without being diminished in its literary and artistic dimension as well as in modern philosophy. Precisely because of its ambivalence, the fatality linked to Pandora has been the subject of numerous rewritings of the myth in recent works. This article aims to answer how the ecofeminist interpretation of this mythical tale is still dominant, in the theoretical corpus of Françoise d'Eaubonne (1951) and Carolyn Merchant (1980), as well as in the considerations of Ivan Illich (1972) and the pictorial work of Juan Gabriel Barceló Tomás (1963). Through myth-criticism and the trajectory of myth according to Gilbert Durand (1981) and Pierre Brunel (2017), the present analysis takes up the reading of a landscape embodied by the goddess, whose destructive and also hopeful identity is inherent in postmodern holism. |
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