The Rise of a New Lilith: The Posthuman Monstrous Mother of Demonsin Octavia E. Butler’s Xenogenesis (Lilith’s Brood)

Oftentimes, women writers turn to science fiction—and other forms of speculative fiction—as a means to retrieve and reclaim old female figures from patriarchal foundational myths and reproduce them in a different fashion. That is to say, they choose to question old sexist and stereotypical female im...

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Detalles Bibliográficos
Autor: Berganzo Besga, Naiara
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2025
País:España
Institución:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:dnet:idus________::e16a8de88ea05b02ed716276aa96ae52
Acceso en línea:https://hdl.handle.net/11441/185303
http://dx.doi.org/10.12795/REN.2025.i29.7
Access Level:acceso abierto
Palabra clave:posthumanism
ecofeminism
female gothic
afrofuturism
myth-criticism
motherhood
posthumanismo
ecofeminismo
gótico femenino
afrofuturismo
mitocrítica
maternidad
Descripción
Sumario:Oftentimes, women writers turn to science fiction—and other forms of speculative fiction—as a means to retrieve and reclaim old female figures from patriarchal foundational myths and reproduce them in a different fashion. That is to say, they choose to question old sexist and stereotypical female images by introducing a more human and feministapproach to the characters, far from the already familiar and stale gender roles.This is exactly what Butler provides with her trilogy. Xenogenesis, also known as Lilith’s Brood, is an Afrofuturistic and postapocalyptic science fiction trilogy that was written by Octavia E. Butler in the late 1980s. As we will attempt to demonstrate, in the aftermath of a nuclear holocaust, focusing on the continuity of the human race, by means of the creation of a new Human-Oankali hybrid species mothered by the Afro-American protagonist Lilith Iyapo, Xenogenesis partakes in the posthuman retelling and challenging of the patriarchal birth myth of the Genesis. In order to do that, drawing from Gothic, ecofeminist, and posthuman theories, we will be exploring how a monstrous posthuman ecofeminist agent can be created.