Narración multiescena y sincronía gráfica: cómics en los murales de la estación de metro de Cuatro Caminos
[EN] The permanent museography project for the Cuatro Caminos metro station in Madrid features two historical synthesis murals whose main methodological instrument is architectural drawing. In addition, they offer narrative proposals that use resources of the avant-garde comic, together with simulta...
| Autores: | , , , , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/203906 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/203906 |
| Access Level: | acceso abierto |
| Palabra clave: | Multi-scene narrative Heritage dissemination Metro de Madrid Mural Graphic narrative Comic Narración multiescena Difusión patrimonial Narración gráfica Cómic |
| Sumario: | [EN] The permanent museography project for the Cuatro Caminos metro station in Madrid features two historical synthesis murals whose main methodological instrument is architectural drawing. In addition, they offer narrative proposals that use resources of the avant-garde comic, together with simultaneous representations of space and time in which the chronological sense of the narrative is even manipulated.This paper analyses the two murals from the conceptual framework of the comic book in terms of the combination of the simultaneous vision of the graphic medium and the partial visions of its contents. Moreover, it ponders on the use of these resources when transmitting complex realities in heritage dissemination works. |
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