Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration

Financing through crowdfunding can be framed as an emerging media practice. It is based on the engagement of individuals and collectives in creation and production process and describes the transformation of former audiences into active participants and agents in the context of cultural production (...

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Detalles Bibliográficos
Autores: Leibovitz Libedinsky, Talia, Antoni, Antoni, Sánchez-Navarro, Jordi
Tipo de recurso: artículo
Fecha de publicación:2013
País:España
Institución:Universitat Oberta de Catalunya (UOC)
Repositorio:O2, repositorio institucional de la UOC
OAI Identifier:oai:openaccess.uoc.edu:10609/149935
Acceso en línea:http://hdl.handle.net/10609/149935
Access Level:acceso abierto
Palabra clave:crowdfunding
production
cultural production
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spelling Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for CollaborationLeibovitz Libedinsky, TaliaAntoni, AntoniSánchez-Navarro, Jordicrowdfundingproductioncultural productionFinancing through crowdfunding can be framed as an emerging media practice. It is based on the engagement of individuals and collectives in creation and production process and describes the transformation of former audiences into active participants and agents in the context of cultural production (Schafer, 2011). We can understand it as an open call, mostly through the Internet, for the provision of financial resources either in form of donation or in exchange for some form of reward and/or voting rights. (Belleflamme et. al, 2011). This paper is aimed to understand the importance drive the on the rewards in establishing collaborative models of cultural production mediated by digital platforms, focusing on crowdfunding for audiovisual production.Università di Bologna202420242013info:eu-repo/semantics/articleapplication/pdfapplication/pdfhttp://hdl.handle.net/10609/149935reponame:O2, repositorio institucional de la UOCinstname:Universitat Oberta de Catalunya (UOC)InglésCinergie. Il cinema e le altre arti, 2013, 4(4), 73-81.CC BYhttp://creativecommons.org/licenses/by/4.0/es/info:eu-repo/semantics/openAccessoai:openaccess.uoc.edu:10609/1499352026-05-28T12:42:01Z
dc.title.none.fl_str_mv Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
title Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
spellingShingle Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
Leibovitz Libedinsky, Talia
crowdfunding
production
cultural production
title_short Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
title_full Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
title_fullStr Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
title_full_unstemmed Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
title_sort Collaboration and Crowdfunding in Contemporary Audiovisual Production: The Role of Rewards and Motivations for Collaboration
dc.creator.none.fl_str_mv Leibovitz Libedinsky, Talia
Antoni, Antoni
Sánchez-Navarro, Jordi
author Leibovitz Libedinsky, Talia
author_facet Leibovitz Libedinsky, Talia
Antoni, Antoni
Sánchez-Navarro, Jordi
author_role author
author2 Antoni, Antoni
Sánchez-Navarro, Jordi
author2_role author
author
dc.subject.none.fl_str_mv crowdfunding
production
cultural production
topic crowdfunding
production
cultural production
description Financing through crowdfunding can be framed as an emerging media practice. It is based on the engagement of individuals and collectives in creation and production process and describes the transformation of former audiences into active participants and agents in the context of cultural production (Schafer, 2011). We can understand it as an open call, mostly through the Internet, for the provision of financial resources either in form of donation or in exchange for some form of reward and/or voting rights. (Belleflamme et. al, 2011). This paper is aimed to understand the importance drive the on the rewards in establishing collaborative models of cultural production mediated by digital platforms, focusing on crowdfunding for audiovisual production.
publishDate 2013
dc.date.none.fl_str_mv 2013
2024
2024
dc.type.none.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv http://hdl.handle.net/10609/149935
url http://hdl.handle.net/10609/149935
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Cinergie. Il cinema e le altre arti, 2013, 4(4), 73-81.
dc.rights.none.fl_str_mv CC BY
http://creativecommons.org/licenses/by/4.0/es/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv CC BY
http://creativecommons.org/licenses/by/4.0/es/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Università di Bologna
publisher.none.fl_str_mv Università di Bologna
dc.source.none.fl_str_mv reponame:O2, repositorio institucional de la UOC
instname:Universitat Oberta de Catalunya (UOC)
instname_str Universitat Oberta de Catalunya (UOC)
reponame_str O2, repositorio institucional de la UOC
collection O2, repositorio institucional de la UOC
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.301603

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