Thinking-for-audio-describing: motion events in the film The Hobbit: An Unexpected Journey
[EN] This study examines motion events in the English and Spanish audio-described versions of the film The Hobbit: An Unexpected Journey, pursuing two main research questions. First, to determine the ways in which linguistic typology and factors inherent to audio description (AD) have a combined imp...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/221133 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/221133 |
| Access Level: | acceso abierto |
| Palabra clave: | Motion events Audio description Audiovisual translation Thinking-for-speaking Thinking-for-translating |
| Sumario: | [EN] This study examines motion events in the English and Spanish audio-described versions of the film The Hobbit: An Unexpected Journey, pursuing two main research questions. First, to determine the ways in which linguistic typology and factors inherent to audio description (AD) have a combined impact on the lexicalization of motion events in the product of AD. Second, to identify the distinct features of the Thinking-for-audio-describing phenomenon. The preliminary results confirm the hypothesized impact mainly in terms of the expression of MANNER in the Spanish AD, and identify a series of compensations for Thinking-for-audio-describing through acoustic elements. |
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