The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel

This article explores the changes of the Spanish television industry upon the arrival of the international Subscription Video on Demand (SVoD) platforms and how Spain has become a noticeable player in the international market. To analyze the hybridization of the industry, a content analysis of the S...

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Detalles Bibliográficos
Autores: Navarro Bosch, Celina, Arriaza Ibarra, Karen
Tipo de recurso: artículo
Fecha de publicación:2022
País:España
Institución:Universidad Complutense de Madrid (UCM)
Repositorio:Docta Complutense
Idioma:inglés
OAI Identifier:oai:docta.ucm.es:20.500.14352/116828
Acceso en línea:https://hdl.handle.net/20.500.14352/116828
Access Level:acceso abierto
Palabra clave:621.397.13(460)
television
series
Spain
SVoD
international
Netflix
TVE
Ciencias Sociales
Humanidades
63 Sociología
33 Ciencias Tecnológicas
61 Psicología
62 Ciencias de las Artes y las Letras
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spelling The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de PapelNavarro Bosch, CelinaArriaza Ibarra, Karen621.397.13(460)televisionseriesSpainSVoDinternationalNetflixTVECiencias SocialesHumanidades63 Sociología33 Ciencias Tecnológicas61 Psicología62 Ciencias de las Artes y las LetrasThis article explores the changes of the Spanish television industry upon the arrival of the international Subscription Video on Demand (SVoD) platforms and how Spain has become a noticeable player in the international market. To analyze the hybridization of the industry, a content analysis of the Spanish catalog of SVoD services has been conducted to evaluate the offerings of local series. To further exemplify the current complex relationships among traditional broadcasters, independent producers, and SVoD platforms, an analysis of the evolution of the series The Ministry of Time and Money Heist (two of the most internationally successful Spanish shows) in terms of production, distribution, and cultural trades, reveals the different types of agreements with SVoD players and the balance between the international and domestic markets. Results also indicate the importance of the Spanish geo-linguistic market for the success of Spanish series even as the popularity of its shows has transcended the language borders.University of Southern CaliforniaUniversidad Complutense de Madrid20222022-01-0720222022-01-07journal articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/20.500.14352/116828reponame:Docta Complutenseinstname:Universidad Complutense de Madrid (UCM)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:docta.ucm.es:20.500.14352/1168282026-06-02T12:44:21Z
dc.title.none.fl_str_mv The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
title The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
spellingShingle The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
Navarro Bosch, Celina
621.397.13(460)
television
series
Spain
SVoD
international
Netflix
TVE
Ciencias Sociales
Humanidades
63 Sociología
33 Ciencias Tecnológicas
61 Psicología
62 Ciencias de las Artes y las Letras
title_short The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
title_full The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
title_fullStr The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
title_full_unstemmed The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
title_sort The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
dc.creator.none.fl_str_mv Navarro Bosch, Celina
Arriaza Ibarra, Karen
author Navarro Bosch, Celina
author_facet Navarro Bosch, Celina
Arriaza Ibarra, Karen
author_role author
author2 Arriaza Ibarra, Karen
author2_role author
dc.contributor.none.fl_str_mv Universidad Complutense de Madrid
dc.subject.none.fl_str_mv 621.397.13(460)
television
series
Spain
SVoD
international
Netflix
TVE
Ciencias Sociales
Humanidades
63 Sociología
33 Ciencias Tecnológicas
61 Psicología
62 Ciencias de las Artes y las Letras
topic 621.397.13(460)
television
series
Spain
SVoD
international
Netflix
TVE
Ciencias Sociales
Humanidades
63 Sociología
33 Ciencias Tecnológicas
61 Psicología
62 Ciencias de las Artes y las Letras
description This article explores the changes of the Spanish television industry upon the arrival of the international Subscription Video on Demand (SVoD) platforms and how Spain has become a noticeable player in the international market. To analyze the hybridization of the industry, a content analysis of the Spanish catalog of SVoD services has been conducted to evaluate the offerings of local series. To further exemplify the current complex relationships among traditional broadcasters, independent producers, and SVoD platforms, an analysis of the evolution of the series The Ministry of Time and Money Heist (two of the most internationally successful Spanish shows) in terms of production, distribution, and cultural trades, reveals the different types of agreements with SVoD players and the balance between the international and domestic markets. Results also indicate the importance of the Spanish geo-linguistic market for the success of Spanish series even as the popularity of its shows has transcended the language borders.
publishDate 2022
dc.date.none.fl_str_mv 2022
2022-01-07
2022
2022-01-07
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/20.500.14352/116828
url https://hdl.handle.net/20.500.14352/116828
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv University of Southern California
publisher.none.fl_str_mv University of Southern California
dc.source.none.fl_str_mv reponame:Docta Complutense
instname:Universidad Complutense de Madrid (UCM)
instname_str Universidad Complutense de Madrid (UCM)
reponame_str Docta Complutense
collection Docta Complutense
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.811543

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