The Success of Spanish Series on Traditional Television and SVOD Platforms: From El Ministerio del Tiempo to La Casa de Papel
This article explores the changes of the Spanish television industry upon the arrival of the international Subscription Video on Demand (SVoD) platforms and how Spain has become a noticeable player in the international market. To analyze the hybridization of the industry, a content analysis of the S...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universidad Complutense de Madrid (UCM) |
| Repositorio: | Docta Complutense |
| Idioma: | inglés |
| OAI Identifier: | oai:docta.ucm.es:20.500.14352/116828 |
| Acceso en línea: | https://hdl.handle.net/20.500.14352/116828 |
| Access Level: | acceso abierto |
| Palabra clave: | 621.397.13(460) television series Spain SVoD international Netflix TVE Ciencias Sociales Humanidades 63 Sociología 33 Ciencias Tecnológicas 61 Psicología 62 Ciencias de las Artes y las Letras |
| Sumario: | This article explores the changes of the Spanish television industry upon the arrival of the international Subscription Video on Demand (SVoD) platforms and how Spain has become a noticeable player in the international market. To analyze the hybridization of the industry, a content analysis of the Spanish catalog of SVoD services has been conducted to evaluate the offerings of local series. To further exemplify the current complex relationships among traditional broadcasters, independent producers, and SVoD platforms, an analysis of the evolution of the series The Ministry of Time and Money Heist (two of the most internationally successful Spanish shows) in terms of production, distribution, and cultural trades, reveals the different types of agreements with SVoD players and the balance between the international and domestic markets. Results also indicate the importance of the Spanish geo-linguistic market for the success of Spanish series even as the popularity of its shows has transcended the language borders. |
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