Mujeres poetas, hadas y ciervos: el lai de Guigemar y Aucassin et Nicolette
[eng] In this article I propose the identification of Guigemar's lai as a hypotext of Aucassin et Nicolette. I will try first to document the allusions to the lai of Marie de France and then to establish its function in the anonymous chantefable. I will focus on two aspects: the imbrication of...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:2445/217678 |
| Acesso em linha: | https://hdl.handle.net/2445/217678 |
| Access Level: | acceso abierto |
| Palavra-chave: | Literatura medieval Literatura francesa Intertextualitat Paròdia Medieval literature French literature Intertextuality Parody |
| Resumo: | [eng] In this article I propose the identification of Guigemar's lai as a hypotext of Aucassin et Nicolette. I will try first to document the allusions to the lai of Marie de France and then to establish its function in the anonymous chantefable. I will focus on two aspects: the imbrication of lyrical and narrative registers and the metaliterary dimension of both texts. |
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