Mujeres poetas, hadas y ciervos: el lai de Guigemar y Aucassin et Nicolette
[eng] In this article I propose the identification of Guigemar's lai as a hypotext of Aucassin et Nicolette. I will try first to document the allusions to the lai of Marie de France and then to establish its function in the anonymous chantefable. I will focus on two aspects: the imbrication of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universidad de Barcelona |
| Repositorio: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/217678 |
| Acceso en línea: | https://hdl.handle.net/2445/217678 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura medieval Literatura francesa Intertextualitat Paròdia Medieval literature French literature Intertextuality Parody |
| Sumario: | [eng] In this article I propose the identification of Guigemar's lai as a hypotext of Aucassin et Nicolette. I will try first to document the allusions to the lai of Marie de France and then to establish its function in the anonymous chantefable. I will focus on two aspects: the imbrication of lyrical and narrative registers and the metaliterary dimension of both texts. |
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