Debat i paròdia als versos de les trobairitz: Castelloza (BEdT 109,2) vs Bernart de Ventadorn (BEdT 70, 19)
[eng] The aim of this article is to document and interpret the intertextual relationship between Castelloza's BEdT 109, 2 and Bernart de Ventadorn's BEdT 70, 19. After a brief introduction to Castelloza's poetry and its critical reception, we will analyse the clues that allow us to po...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:2445/217679 |
| Acceso en línea: | https://hdl.handle.net/2445/217679 |
| Access Level: | acceso abierto |
| Palabra clave: | Intertextualitat Paròdia Intertextuality Parody |
| Sumario: | [eng] The aim of this article is to document and interpret the intertextual relationship between Castelloza's BEdT 109, 2 and Bernart de Ventadorn's BEdT 70, 19. After a brief introduction to Castelloza's poetry and its critical reception, we will analyse the clues that allow us to postulate, on the part of the trobairitz, an allusive intention to the song BEdT 70, 19 by Bernart de Ventadorn. The reading of Castelloza's song in the light of this dialogical relationship, as well as the insertion of the trobadiritz's lyrical voice in the troubadour corpus as a wholeconsidered, must allow us to question the traditional vision of Castelloza as a 'melancholic' poetess, aware of her inferiority in relation to the esteemed being, revealing the parodic dimension of her poetry. |
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