El tacto de la visión: corporeidades y toques de la imagen ubicua en el contemporáneo
[EN] In a context of ubiquitous presences, how does this image that clams the touch is produced? What other modes of affection emerge from the forms of presence that today seek to materialize themselves on a screen surface? To investigate these issues, we will take the videoperformances "Bo...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/88500 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/88500 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística |
| Sumario: | [EN] In a context of ubiquitous presences, how does this image that clams the touch is produced? What other modes of affection emerge from the forms of presence that today seek to materialize themselves on a screen surface? To investigate these issues, we will take the videoperformances "Boxing " (19 ) , by Ion Grigorescu, "Theme Song" (19 3) , by Vito Acconci, and "Be Nice To Me" (2008), by Pipilotti Rist, as threads to the thought. The objective of this effort is to discuss the ways in which the haptic function of image (DELEUZE, 200 ) is reconfigured in the present from its delicate imbrication with the materiality of digital technologies and touschscreen surfaces devices. |
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