Flujos entre ficción/real/virtual en el trabajo de Dora García y Jontathas de Andrade
[EN] This communication addresses convergence found in the way in which the relationship between the real and the unreal establishes a dialogue that tenses and makes more complex artistic practice in the works of Dora García (Valladolid, Spain, 1965) and Jonathas de Andrade (Maceio, Brazil, 19 2). H...
| Autores: | , |
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/88271 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/88271 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística |
| Sumario: | [EN] This communication addresses convergence found in the way in which the relationship between the real and the unreal establishes a dialogue that tenses and makes more complex artistic practice in the works of Dora García (Valladolid, Spain, 1965) and Jonathas de Andrade (Maceio, Brazil, 19 2). His proposals question how we perceive and relate to our surroundings, how we construct and conceptualize these relationships, how we constantly move between fiction and reality, allowing them constantly affect and infect+ one another. In Dora García’s propositions, the dialogue that supports the work Hwhich is built from the feedback that occurs between different layers of fiction and reality that intermingle and overlapH has often a literary origin. Thus, the artist addresses "literature as a precondition for her own scripts and characters, [and] the language as an opportunity to build communities and relationships, as a structure of the subconscious, as an access code to secret societies, as poetry"2 . In turn, the process developed from that first source is amplified and encounters a third essential element Hthat gives it a third+lifeH in the virtual space of the network. On the other hand, Jonathas de Andrade proposes an exercise in fiction about the real, as the only way to address the political questioning. This way fiction, far from disabling critical eye on reality, becomes the most effective way to make it present. This gives him the opportunity to build a complex web Hin one of his proposals led by a race of carriages happeningH where a liberating perspective on the city, its history and its future is reconstructed. The project stands the possibility of articulating reality and the imperceptible, marginalization and insurrection, the illegal and fiction. |
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