Construcción, negociación y validación de la(s) masculinidad(es) en el cine “LGTB” español desde la Transición democrática hasta la actualidad
The following paper seeks to understand the polymorphic reality of masculinities by showing how cinema can be used as a historical basis to analyze the ruptures, links, clashes and resistances established between the hegemonic and the subordinate societal groups, understanding this relationship as a...
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| Tipo de recurso: | tesis de maestría |
| Fecha de publicación: | 2014 |
| País: | España |
| Institución: | Universidad de Oviedo (UNIOVI) |
| Repositorio: | RUO. Repositorio Institucional de la Universidad de Oviedo |
| Idioma: | español |
| OAI Identifier: | oai:digibuo.uniovi.es:10651/36352 |
| Acceso en línea: | http://hdl.handle.net/10651/36352 |
| Access Level: | acceso abierto |
| Palabra clave: | Género Feminismo Masculinidades LGTB |
| Sumario: | The following paper seeks to understand the polymorphic reality of masculinities by showing how cinema can be used as a historical basis to analyze the ruptures, links, clashes and resistances established between the hegemonic and the subordinate societal groups, understanding this relationship as a contextual structure of analysis and not as fixed. Through the analysis of four movies created since the Spanish democratic Transition to the first years of the 21st century, the thesis wants to explore within the ideal masculinity discourse to test how the social practice is revealed like a kaleidoscope that projects multiple configurations from a common thread. |
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