Relatos entre la ciencia y la ficción en la vídeo instalación Ficciones de otro tiempo
[EN] This communication analyzes the story construction and deconstruction of the audiovisual project Ficciones de otro tiempo (Fictions from another time), which is about the science fiction and space travel film genre. We pay attention to the experimentation with certain recurrent narrative struct...
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| Tipo de documento: | capítulo de livro |
| Data de publicação: | 2022 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositório: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | espanhol |
| OAI Identifier: | oai:riunet.upv.es:10251/185789 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/185789 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Videoarte Narración Tiempo Cine Suspense Videoart Narration Time Cinema |
| Resumo: | [EN] This communication analyzes the story construction and deconstruction of the audiovisual project Ficciones de otro tiempo (Fictions from another time), which is about the science fiction and space travel film genre. We pay attention to the experimentation with certain recurrent narrative structures in this genre, specifically in sequences in which the time parameter seems suspended and acquires thematic value. From the audiovisual documentation of the UGR Scientific Instrumentation Collection funds, made up of obsolete machinery that was used for research decades ago, we fictionalized the interior of hypothetical spaceships that move through space. In this context, a sitespecific video installation project with multiple screens is proposed in the Torreón Exhibition Room of the Palacio del Almirante in Granada. The deployment and installation of projections on the different rooms, heights and coffered ceilings of the space, allows experimenting with narrative lines determined by the movements of the viewer in the exhibition space. In short, a series of displacements between science and fiction are proposed. In this sense we try to elucidate the way in which scientific materials, such as cell slides, acquire plastic and narrative value. The application and study of technical tools such as long sequence shots that record disconnected machines, without activity, invites us to reconsider the duration and absence of events in the audiovisual as an event in itself. |
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