The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)

Since the opening of the Spanish TV market in the 1990s, the development of fiction genres, formats and narratives has evolved notoriously, generating a universe of forms and narrations that has configured the history of Spanish TV. The family comedy, in this context, is postulated as one of the mos...

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Autor: Hidalgo-Marí, T. (Tatiana)|||/items/0962d7dd-6013-4d42-8143-61fe2f733937
Tipo de recurso: artículo
Fecha de publicación:2018
País:España
Institución:Universidad de Navarra
Repositorio:Dadun. Depósito Académico Digital de la Universidad de Navarra
Idioma:inglés
OAI Identifier:oai:dadun.unav.edu:10171/55709
Acceso en línea:https://hdl.handle.net/10171/55709
Access Level:acceso abierto
Palabra clave:Audience
Comedy
Family
Formats
Producers
Sitcom
Television
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network_acronym_str ES
network_name_str España
repository_id_str
spelling The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)La comedia familiar española desde la apertura del mercado televisivo hasta el apagón analógico: Formatos, audiencias y producción (1990-2010)Hidalgo-Marí, T. (Tatiana)|||/items/0962d7dd-6013-4d42-8143-61fe2f733937AudienceComedyFamilyFormatsProducersSitcomTelevisionSince the opening of the Spanish TV market in the 1990s, the development of fiction genres, formats and narratives has evolved notoriously, generating a universe of forms and narrations that has configured the history of Spanish TV. The family comedy, in this context, is postulated as one of the most relevant fiction subgenres of Spanish TV, thanks to its easy assimilation, the identification it generates with the audience, its formats and its dissemination strategy, which has contributed to the success of family comedy on television. This article combines quantitative data with documental reflection and discourse analysis to offer a taxonomy of the standards that have guided the configuration of family comedy in Spanish TV. The study is based on the analysis of 47 cases of family comedy, broadcast from 1990 to 2010 in mainstream TV channels, using three different perspectives: format, viewership and production aspects. The results offer relevant data about the family comedy genre that allow us to establish a specific approach to the configuration of a standard of form, reach and production.Dadun. Depósito Académico Digital Universidad de Navarra20182018-11-0920182018-01-0120182018-01-01journal articlehttp://purl.org/coar/resource_type/c_6501info:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10171/55709reponame:Dadun. Depósito Académico Digital de la Universidad de Navarrainstname:Universidad de NavarraInglésengopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:dadun.unav.edu:10171/557092026-06-21T12:47:57Z
dc.title.none.fl_str_mv The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
La comedia familiar española desde la apertura del mercado televisivo hasta el apagón analógico: Formatos, audiencias y producción (1990-2010)
title The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
spellingShingle The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
Hidalgo-Marí, T. (Tatiana)|||/items/0962d7dd-6013-4d42-8143-61fe2f733937
Audience
Comedy
Family
Formats
Producers
Sitcom
Television
title_short The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
title_full The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
title_fullStr The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
title_full_unstemmed The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
title_sort The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
dc.creator.none.fl_str_mv Hidalgo-Marí, T. (Tatiana)|||/items/0962d7dd-6013-4d42-8143-61fe2f733937
author Hidalgo-Marí, T. (Tatiana)|||/items/0962d7dd-6013-4d42-8143-61fe2f733937
author_facet Hidalgo-Marí, T. (Tatiana)|||/items/0962d7dd-6013-4d42-8143-61fe2f733937
author_role author
dc.contributor.none.fl_str_mv Dadun. Depósito Académico Digital Universidad de Navarra
dc.subject.none.fl_str_mv Audience
Comedy
Family
Formats
Producers
Sitcom
Television
topic Audience
Comedy
Family
Formats
Producers
Sitcom
Television
description Since the opening of the Spanish TV market in the 1990s, the development of fiction genres, formats and narratives has evolved notoriously, generating a universe of forms and narrations that has configured the history of Spanish TV. The family comedy, in this context, is postulated as one of the most relevant fiction subgenres of Spanish TV, thanks to its easy assimilation, the identification it generates with the audience, its formats and its dissemination strategy, which has contributed to the success of family comedy on television. This article combines quantitative data with documental reflection and discourse analysis to offer a taxonomy of the standards that have guided the configuration of family comedy in Spanish TV. The study is based on the analysis of 47 cases of family comedy, broadcast from 1990 to 2010 in mainstream TV channels, using three different perspectives: format, viewership and production aspects. The results offer relevant data about the family comedy genre that allow us to establish a specific approach to the configuration of a standard of form, reach and production.
publishDate 2018
dc.date.none.fl_str_mv 2018
2018-11-09
2018
2018-01-01
2018
2018-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/10171/55709
url https://hdl.handle.net/10171/55709
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Dadun. Depósito Académico Digital de la Universidad de Navarra
instname:Universidad de Navarra
instname_str Universidad de Navarra
reponame_str Dadun. Depósito Académico Digital de la Universidad de Navarra
collection Dadun. Depósito Académico Digital de la Universidad de Navarra
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,300724

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