The Spanish television family comedy from the opening of the market to the analogue switch off: Formats, audiences and production (1990-2010)
Since the opening of the Spanish TV market in the 1990s, the development of fiction genres, formats and narratives has evolved notoriously, generating a universe of forms and narrations that has configured the history of Spanish TV. The family comedy, in this context, is postulated as one of the mos...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | inglés |
| OAI Identifier: | oai:dadun.unav.edu:10171/55709 |
| Acceso en línea: | https://hdl.handle.net/10171/55709 |
| Access Level: | acceso abierto |
| Palabra clave: | Audience Comedy Family Formats Producers Sitcom Television |
| Sumario: | Since the opening of the Spanish TV market in the 1990s, the development of fiction genres, formats and narratives has evolved notoriously, generating a universe of forms and narrations that has configured the history of Spanish TV. The family comedy, in this context, is postulated as one of the most relevant fiction subgenres of Spanish TV, thanks to its easy assimilation, the identification it generates with the audience, its formats and its dissemination strategy, which has contributed to the success of family comedy on television. This article combines quantitative data with documental reflection and discourse analysis to offer a taxonomy of the standards that have guided the configuration of family comedy in Spanish TV. The study is based on the analysis of 47 cases of family comedy, broadcast from 1990 to 2010 in mainstream TV channels, using three different perspectives: format, viewership and production aspects. The results offer relevant data about the family comedy genre that allow us to establish a specific approach to the configuration of a standard of form, reach and production. |
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