Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century

This research has as initial aim an inquest review of the notion of coherence in the theoretical reflection about the architectural project during the twentieth century. I have detected that it is in an imprecise conceptual state, openly indeterminate and paradoxically contradictory. This encourages...

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Detalles Bibliográficos
Autor: Barros-Di Giammarino, Fabián Lenadro
Tipo de recurso: tesis doctoral
Estado:Versión publicada
Fecha de publicación:2016
País:Chile
OAI Identifier:oai:repositorio.anid.cl:10533/246526
Acceso en línea:https://hdl.handle.net/10533/246526
Access Level:acceso abierto
Palabra clave:Humanidades
Otras Humanidades
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dc.title.es_CL.fl_str_mv Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
Proyecto y coherencia. El concepto de coherencia en la reflexión teórica sobre el proyecto arquitectónico en el siglo XX
title Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
spellingShingle Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
Barros-Di Giammarino, Fabián Lenadro
Humanidades
Otras Humanidades
title_short Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
title_full Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
title_fullStr Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
title_full_unstemmed Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
title_sort Project and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th century
dc.creator.none.fl_str_mv Barros-Di Giammarino, Fabián Lenadro
author Barros-Di Giammarino, Fabián Lenadro
author_facet Barros-Di Giammarino, Fabián Lenadro
author_role author
dc.contributor.advisor.none.fl_str_mv Pina-Lupiáñez, Rafael
dc.contributor.institution.es_CL.fl_str_mv UNIVERSIDAD POLITECNICA DE MADRID
dc.subject.oecd1n.es_CL.fl_str_mv Humanidades
topic Humanidades
Otras Humanidades
dc.subject.oecd2n.es_CL.fl_str_mv Otras Humanidades
description This research has as initial aim an inquest review of the notion of coherence in the theoretical reflection about the architectural project during the twentieth century. I have detected that it is in an imprecise conceptual state, openly indeterminate and paradoxically contradictory. This encourages possible superficial comprehensions and utilizations, being commonly associated with modernist rationalism and simplistic, inflexible, limited and bored criteria, between others. The development of this work supposes deepening and reordering arguments –as focused fields of approximation - in four levels of relation with the architectural project: epistemic, ethical, aesthetical and poetical. This allows opening a gap of inquiry, helping to plan, specify and update the coherence notion that receives this way a deeper potential sense for the projectual practice and debate. At the beginning, the investigation contains a comprehension of the object of study from other disciplines, reaching a conceptual frame for later deepening in the discipline, whose media contemporary context stretches it to be place as an artful enemy. In opposition to this notion the thesis centers on a search, which from the ' fields of relation ' of coherence in the project, it organizes in dialectical couples where every chapter (epistemic-ethical, ethical – aesthetic, aesthetic – poetical and poetical - epistemic) supposes a concentric ring of gradual approximation to the object of study; where extremes meet in a paratactic structure. Thus, the research goes through the most important arguments that the conceptual contributions- from architectural thinking about project- have constituted to the notion of coherence from a critical rereading of modernity. In each chapter, the investigation reaches distinctions that allow drawing a picture necessarily unfinished, about the implications and nuances that searches are getting in their process of reiterative, polyhedral and continuous approach. The coherence is unveiled and presented through various ‘catalysts’ concepts that act as intermediaries to reach it, because from the architectural discourse, and despite its individual nature, common ideas and argument constructs subsist. In a way, the thesis manages to weave an approach to the concept that, as a synthetic and global attribute, must tend to relate and compose all the links and interrelationships between elements, systems and structures in a unique formal unity. Broadly speaking, the research includes two general systems of coherence in the project: the implications with context, the society and the environment that defines its external relevance; and the very conditions of the object which determine its internal consistency. Both systems simultaneously, synergistic and synthetic, are shaping, in each pair of dialectical research, a branched inquiry.
publishDate 2016
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2022-08-16T18:08:19Z
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2022-08-16T18:08:19Z
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spelling UNIVERSIDAD POLITECNICA DE MADRIDBarros-Di Giammarino, Fabián Lenadro2016https://hdl.handle.net/10533/246526http://purl.org/coar/access_right/c_abf2Otras HumanidadesHumanidadesProject and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th centuryPina-Lupiáñez, RafaelUNIVERSIDAD POLITECNICA DE MADRIDEspañaBarros-Di Giammarino, Fabián Lenadro2021-02-09T20:01:18Z2022-08-16T18:08:19Z2021-02-09T20:01:18Z2022-08-16T18:08:19Z2016This research has as initial aim an inquest review of the notion of coherence in the theoretical reflection about the architectural project during the twentieth century. I have detected that it is in an imprecise conceptual state, openly indeterminate and paradoxically contradictory. This encourages possible superficial comprehensions and utilizations, being commonly associated with modernist rationalism and simplistic, inflexible, limited and bored criteria, between others. The development of this work supposes deepening and reordering arguments –as focused fields of approximation - in four levels of relation with the architectural project: epistemic, ethical, aesthetical and poetical. This allows opening a gap of inquiry, helping to plan, specify and update the coherence notion that receives this way a deeper potential sense for the projectual practice and debate. At the beginning, the investigation contains a comprehension of the object of study from other disciplines, reaching a conceptual frame for later deepening in the discipline, whose media contemporary context stretches it to be place as an artful enemy. In opposition to this notion the thesis centers on a search, which from the ' fields of relation ' of coherence in the project, it organizes in dialectical couples where every chapter (epistemic-ethical, ethical – aesthetic, aesthetic – poetical and poetical - epistemic) supposes a concentric ring of gradual approximation to the object of study; where extremes meet in a paratactic structure. Thus, the research goes through the most important arguments that the conceptual contributions- from architectural thinking about project- have constituted to the notion of coherence from a critical rereading of modernity. In each chapter, the investigation reaches distinctions that allow drawing a picture necessarily unfinished, about the implications and nuances that searches are getting in their process of reiterative, polyhedral and continuous approach. The coherence is unveiled and presented through various ‘catalysts’ concepts that act as intermediaries to reach it, because from the architectural discourse, and despite its individual nature, common ideas and argument constructs subsist. In a way, the thesis manages to weave an approach to the concept that, as a synthetic and global attribute, must tend to relate and compose all the links and interrelationships between elements, systems and structures in a unique formal unity. Broadly speaking, the research includes two general systems of coherence in the project: the implications with context, the society and the environment that defines its external relevance; and the very conditions of the object which determine its internal consistency. Both systems simultaneously, synergistic and synthetic, are shaping, in each pair of dialectical research, a branched inquiry.Esta investigación tiene como objetivo inicial una revisión indagatoria (para su esclarecimiento) de la noción de coherencia en la reflexión teórica sobre el proyecto arquitectónico durante el siglo XX, al detectar que se encuentra en un estado conceptual impreciso, abiertamente indeterminado y paradójicamente contradictorio. Esto fomenta posibles comprensiones y utilizaciones superficiales, al asociarse comúnmente al racionalismo moderno y a criterios de rigidez, simplismo, limitación o aburrimiento, entre otros. El desarrollo de este trabajo supone profundizar y reordenar argumentos -y autores involucrados (como campos enfocados de aproximación)- en cuatro niveles de relación con el proyecto arquitectónico: epistémico, ético, estético y poético. Esto permite abrir una brecha de indagación, ayudando a trazar, precisar y actualizar la noción de coherencia que cobra así un sentido potencial más profundo, amplio y fructífero para la práctica y el debate proyectual. En un comienzo, la investigación contiene una comprensión del objeto de estudio desde otras disciplinas, alcanzándose un marco conceptual base para su posterior profundización en el campo disciplinar, cuyo contexto contemporáneo más mediático la tiende a situar como un artificioso enemigo. En oposición a esta noción, la tesis se centra en una búsqueda, que desde los ‘campos de relación’ de la coherencia en el proyecto, se organiza en pares dialécticos donde cada capítulo (epistémico-ético, ético-estético, estético-poético y poético-epistémico) supone un anillo concéntrico de aproximación gradual al objeto de estudio; en donde los extremos se tocan en una necesaria estructura helicoidal y paratáctica de búsqueda permanente. De este modo, la investigación transcurre por los argumentos más relevantes que los aportes conceptuales -desde el pensamiento arquitectónico sobre el proyecto- han constituido a la noción de coherencia desde una relectura crítica de la modernidad. En cada capítulo, la investigación alcanza distinciones que permiten trazar un panorama necesariamente inacabado, sobre las implicaciones y matices que las búsquedas van consiguiendo en su proceso de aproximación reiterativo, poliédrico y continuo. La coherencia se nos devela y presenta por medio de diversos conceptos ‘catalizadores’, que actúan como intermediarios para llegar a ella, pues desde el discurso arquitectónico, y a pesar de su carácter indefinido, desordenado, enmarañado y excesivamente individual, subsisten ideas y constructos argumentales comunes. En cierto modo la tesis logra entretejer una aproximación al concepto que, por su condición incosificable, es decir, como atributo sintético y global debe tender a relacionar y componer todos los enlaces e interrelaciones entre elementos, sistemas y estructuras en una unidad formal irrepetible. A grosso modo, la investigación contempla dos sistemas generales de coherencia en el proyecto: las implicaciones con el entorno, la sociedad y el medio que define su pertinencia externa, y las condicionantes propias del objeto que determina su consistencia interna. Ambos sistemas, de forma simultánea, sinérgica y sintética, van modelando las indagaciones ramificadas en cada par dialéctico de la investigación.72130208https://hdl.handle.net/10533/246526instname: Conicytreponame: Repositorio Digital RI2.0info:eu-repo/grantAgreement//72130208info:eu-repo/semantics/dataset/hdl.handle.net/10533/93488http://oa.upm.es/44320/info:eu-repo/semantics/openAccessAttribution-NonCommercial-NoDerivs 3.0 Chilehttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/HumanidadesOtras HumanidadesProject and coherence. The concept of coherence in the theoretical reflection on the architectural project in the 20th centuryProyecto y coherencia. 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