«Искусство как приём» - 100 лет спустя: В память о Светлане Бойме
In 2017, It was celebrated the centenary of publication of “Art as device”, the essay in wich Viktor Chklóvski presents the first version of his celebred concept of “ostranênie”. Due to this, this study was thought as a comemorative perspective. It is discusses same relevant aspects presented in Chk...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2018 |
| País: | Brasil |
| Recursos: | Universidade de São Paulo (USP) |
| Repositório: | RUS (São Paulo) |
| Idioma: | português |
| OAI Identifier: | oai:revistas.usp.br:article/149992 |
| Acesso em linha: | https://revistas.usp.br/rus/article/view/149992 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Chklóvsli Russian Formalism Ostranênie Chklóvski Formalismo russo ostranênie |
| Resumo: | In 2017, It was celebrated the centenary of publication of “Art as device”, the essay in wich Viktor Chklóvski presents the first version of his celebred concept of “ostranênie”. Due to this, this study was thought as a comemorative perspective. It is discusses same relevant aspects presented in Chklóvski’s essay, as well as analyze, albeit briefly, some of its developments in Western critical tradition. |
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