Cem anos de estranhamento
How did the concept of ostranenie (strangeness) emerge in poetic language and become the manifestation of aesthetic experience? How did the technical cinematic devices transform the perception of the visual world? From the answers to these questions the articles of this book about the role of the co...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/71200 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/71200 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema strangeness ostranenie Chklóvski. estranhamento |
| Sumario: | How did the concept of ostranenie (strangeness) emerge in poetic language and become the manifestation of aesthetic experience? How did the technical cinematic devices transform the perception of the visual world? From the answers to these questions the articles of this book about the role of the concept of ostranenie were born. These cover not only the artistic movement in Russia during the 20’ but also those of cinema and media. |
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