Ambiguity and metalanguage in Amor de salvação
Camilo Castelo Branco uses the romantic fiction model (a succession of sentimental adventures that culminate in a happy end through marriage) in a non-conventional manner. The author displays the ideological contradictions of this model through the ambiguities generated by the metalanguage that flow...
| Author: | |
|---|---|
| Format: | article |
| Status: | Published version |
| Publication Date: | 2025 |
| Country: | Brasil |
| Institution: | Real Gabinete Português de Leitura (RGPL) |
| Repository: | Convergência Lusíada (Online) |
| Language: | Portuguese |
| OAI Identifier: | oai:ojs.convergencia.emnuvens.com.br:article/1337 |
| Online Access: | https://www.convergencialusiada.com.br/rcl/article/view/1337 |
| Access Level: | Open access |
| Keyword: | Metalanguage Ambiguity Irony Romanticism Metalinguagem Ambiguidade Ironia Romantismo |
| Summary: | Camilo Castelo Branco uses the romantic fiction model (a succession of sentimental adventures that culminate in a happy end through marriage) in a non-conventional manner. The author displays the ideological contradictions of this model through the ambiguities generated by the metalanguage that flows through the plot of Amor de Salvação. |
|---|