THE METALANGUAGE IN OS SONHADORES: BERTOLUCCI REFERS TO THE CINEMA
This text has the goal to show some relations of metalanguage explored by the film The Dreamers, directed by Bernardo Bertolucci (2003). Based on the reflections developed by Chalhub (1986), Eco (1989), Jakobson (1989) e Sant’Anna (1995), this text will point out and study some moments of the cinema...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/3055 |
| Acceso en línea: | https://e-revista.unioeste.br/index.php/travessias/article/view/3055 |
| Access Level: | acceso abierto |
| Palabra clave: | Metalanguage – Cinema – Intertextuality METALINGUAGEM CINEMA INTERTEXTUALIDADE |
| Sumario: | This text has the goal to show some relations of metalanguage explored by the film The Dreamers, directed by Bernardo Bertolucci (2003). Based on the reflections developed by Chalhub (1986), Eco (1989), Jakobson (1989) e Sant’Anna (1995), this text will point out and study some moments of the cinematic work when intertextuality shows up related to metalanguage, and how it interferes on the final product, which is the film. |
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