Ambiguity and metalanguage in Amor de salvação
Camilo Castelo Branco uses the romantic fiction model (a succession of sentimental adventures that culminate in a happy end through marriage) in a non-conventional manner. The author displays the ideological contradictions of this model through the ambiguities generated by the metalanguage that flow...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Real Gabinete Português de Leitura (RGPL) |
| Repositorio: | Convergência Lusíada (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.convergencia.emnuvens.com.br:article/1337 |
| Acceso en línea: | https://www.convergencialusiada.com.br/rcl/article/view/1337 |
| Access Level: | acceso abierto |
| Palabra clave: | Metalanguage Ambiguity Irony Romanticism Metalinguagem Ambiguidade Ironia Romantismo |
| Sumario: | Camilo Castelo Branco uses the romantic fiction model (a succession of sentimental adventures that culminate in a happy end through marriage) in a non-conventional manner. The author displays the ideological contradictions of this model through the ambiguities generated by the metalanguage that flows through the plot of Amor de Salvação. |
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