Arte, Biopolítica e Resistência
In Society Must Be Defended, Michel Foucault presents the idea that there was at one point in the history of western Europe, the internalization of the war in the modes of social organization. That would have been a value shift from war to politics, asserting it, legitimizing the war itself as a way...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/212231 |
| Acceso en línea: | http://dx.doi.org/10.1590/2237-266021497 http://hdl.handle.net/11449/212231 |
| Access Level: | acceso abierto |
| Palabra clave: | Subjectivity Biopolitics Street Art Resistance Subjetividade Biopolítica Arte de Rua Resistência |
| Sumario: | In Society Must Be Defended, Michel Foucault presents the idea that there was at one point in the history of western Europe, the internalization of the war in the modes of social organization. That would have been a value shift from war to politics, asserting it, legitimizing the war itself as a way of governing and, therefore, as a way of life. In this vein, Foucault notes that the policy is developed in the Modern is war continued by other means. Governors to keep the war. This essay discusses some impacts of this discourse in the arts. |
|---|