Art, Biopolitics and Resistance
In Society Must Be Defended, Michel Foucault presents the idea that, at one point in the history of western Europe, an internalization of war in the modes of social organization occurred. That would have been a value shift from war to politics, asserting it, legitimizing war itself as a way of gover...
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/21497 |
| Acesso em linha: | https://seer.ufrgs.br/index.php/presenca/article/view/21497 |
| Access Level: | acceso abierto |
| Palavra-chave: | Subjectivité Biopolitique Street Art Résistance Subjectivity Biopolitics Resistance Subjetividade Biopolítica Arte de Rua Resistência |
| Resumo: | In Society Must Be Defended, Michel Foucault presents the idea that, at one point in the history of western Europe, an internalization of war in the modes of social organization occurred. That would have been a value shift from war to politics, asserting it, legitimizing war itself as a way of governing and, therefore, as a way of life. From this perspective, Foucault notes that the politics that is developed in Modern States is war continued by other means. One governs to maintain a state war. This essay discusses some impacts of this kind of discourse on the arts. |
|---|