Helena Solberg: uma cineasta brasileira na televisão norte-americana
This paper argues that Raymond Williams’ ideas about television as cultural form and experience broaden the understanding the trajectory of Helena Solberg’s, a Brazilian filmmaker who directed several documentaries for a North American television station in the 1980s. To support this argument, we re...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/155246 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/155246 |
| Access Level: | acceso abierto |
| Palabra clave: | Helena Solberg Documentário Televisão História do cinema brasileiro Documentary Television Brazilian film history |
| Sumario: | This paper argues that Raymond Williams’ ideas about television as cultural form and experience broaden the understanding the trajectory of Helena Solberg’s, a Brazilian filmmaker who directed several documentaries for a North American television station in the 1980s. To support this argument, we rely on the analysis made by Williams in Television a (1974) and the research on the Helena Solberg trajectory carried out by Mariana Tavares and Ana Maria Veiga. As a result, we explain how Helena’s documentaries, funded and broadcast by PBS (Public Broadcasting Service), constitute more democratic uses and practices that, considering Williams, can be better contextualized and understood. |
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