O Cinema Documentário de Helena Solberg
This work discusses the documentary films of the brazilian filmmaker Helena Solberg consisting of twelve documentaries produced in the United States, over the past fifty years. We have identified several different phases of the filmmaker’s career: Cinema Novo (1960);The Women Trilogy (1970), The Pol...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/15743 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15743 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema Documentário Helena Solberg Film Documentary |
| Sumario: | This work discusses the documentary films of the brazilian filmmaker Helena Solberg consisting of twelve documentaries produced in the United States, over the past fifty years. We have identified several different phases of the filmmaker’s career: Cinema Novo (1960);The Women Trilogy (1970), The Political Phase (1980-1990) and Brazilian Art in her current phase in an effort to demonstrate that Helena Solberg has a singular and coherent body of work in the context of Brazilian documentary production. |
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