Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin
This text presents traces of construction of a Poetics, whose purpose is to develop a Re-Vision of the Brazilian Theater in five key moments. To do so, it is sought to establish a scene of origin, outlined from the encounter – impregnated with attraction and repulsion – that takes place in Colonial...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/78857 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/78857 |
| Access Level: | acceso abierto |
| Palabra clave: | Teatro Brasileiro Poética Antropofagia Perspectivismo Xamanismo Brazilian Theater Poetics Anthropophagy Perspectivism Shamanism Théâtre Brésilien Poétique Anthropophagie Perspectivisme Chamanisme |
| Sumario: | This text presents traces of construction of a Poetics, whose purpose is to develop a Re-Vision of the Brazilian Theater in five key moments. To do so, it is sought to establish a scene of origin, outlined from the encounter – impregnated with attraction and repulsion – that takes place in Colonial Brazil, from the 16th Century, between Amerindian and European civilizations. Two metaphysics and forms of expression thus form the intensive and pantheatrical basis of a Poetics that projects a notion of Brazilian theater in a constant state of struggles of perspectives, symbolized, in its origins, by two anthropophagic interdevouring mouths: the mercantilist Christian eucharist and the Amerindian cosmopolitics. |
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