Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin
ABSTRACT – Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin – This text presents a plan of construction of a Poetics, whose purpose is to effect a Re-Vision, in five key moments, of the Brazilian Theater. To do this, we seek to establish a scene of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/87748 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/87748 |
| Access Level: | acceso abierto |
| Palabra clave: | Brazilian Theater Poetics Anthropophagy Perspectivism Shamanism |
| Sumario: | ABSTRACT – Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin – This text presents a plan of construction of a Poetics, whose purpose is to effect a Re-Vision, in five key moments, of the Brazilian Theater. To do this, we seek to establish a scene of origin, outlined after the meeting – impregnated with attraction and repulsion – that takes place in Brazil, from the sixteenth century, between Amerindian and European civilizations. Two metaphysics and forms of expression thus form the intensive and pantheatrical basis of a Poetics that projects a notion of Brazilian theater in a constant state of struggles of perspectives, symbolized, in its origins, by two anthropophagic mouths interdevouring: the mercantilist Christian Eucharist and the Amerindian cosmopolitical. |
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