Dançando sobre os Escombros: Coletivizando o Luto, Compartilhando a Dor: Conversas com a Performance Insuflação de uma Morte Crônica

This article deals with the dialogue and discussion with the performance Insufflation of a Chronic Death by the Women in Quarantine project, São Paulo, Brazil, presented in 2020 during the Covid-19 pandemic. The notions of collectivity and care are highlighted as attributes that, both in art and in...

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Detalles Bibliográficos
Autor: Bonomini Martínez, Sandra
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:Perú
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Idioma:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/25478
Acceso en línea:http://revistas.pucp.edu.pe/index.php/kaylla/article/view/25478
Access Level:acceso abierto
Palabra clave:Performance
Pandemia
Feminismos
Colectividad
Luto
Autobiografía
Pandemic
Feminisms
Collectivity
Mourning
Autobiography
Performances
Colletividade
Autobiografia
Descripción
Sumario:This article deals with the dialogue and discussion with the performance Insufflation of a Chronic Death by the Women in Quarantine project, São Paulo, Brazil, presented in 2020 during the Covid-19 pandemic. The notions of collectivity and care are highlighted as attributes that, both in art and in life, can contribute by helping us transform pain and think radically about a possible re-existence. Based on counter-hegemonic feminist perspectives and the assessment of one's own experience as knowledge, the author's performance and autobiographical accounts are proposed as micropolitical spaces of resistance and possibility in the face of the situation of precariousness, uncertainty, and violence after the pandemic period in Brazil. Starting from the need to share pain and to collectivize mourning, this creation process is suggested as an anti-capitalist space-time and an enabler of returning life to its status of a dignified life.