David Perlov’s Windows: Autobiography, Mourning and Politics
Given the problematic field of autobiographical writing and their interlacement between film language, testimony, memory, subjectivity’s critique, and the confessional and testimonial traits of our culture, this article has as its main perspective the investigation of the political subjectification...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/14372 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/maaravi/article/view/14372 |
| Access Level: | acceso abierto |
| Palabra clave: | Autobiografia Luto Política Autobiography Mourning Politics |
| Sumario: | Given the problematic field of autobiographical writing and their interlacement between film language, testimony, memory, subjectivity’s critique, and the confessional and testimonial traits of our culture, this article has as its main perspective the investigation of the political subjectification and enunciation modes expressed by the cinematographic diaries of David Perlov, Brazilian-Israeli filmmaker. In these diaries, between 1970 and 2000, errancy, trauma, exile and mourning are figures of a subjective enunciation and narrative in constant movement, for which the displacement, not only geographic, makes the transition from identity to otherness, from trauma to mourning, from the private sphere to politics. |
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