The resources of the disturbing narration as referentiality features of the narrative fiction
The present work starts from considering the author’s own creative process as a matter of aesthetic reflection. To that end, we first demarcate conceptual aspects related to the nature of the creative process in the field of narration. It reflects on the nature of aesthetic creation as such and on i...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Perú |
| Institución: | Academia Peruana de la Lengua |
| Repositorio: | Boletín de la Academia Peruana de la Lengua |
| Idioma: | español |
| OAI Identifier: | oai:ojs.revistas.apl.org.pe:article/207 |
| Acceso en línea: | https://revistas.apl.org.pe/index.php/boletinapl/article/view/207 |
| Access Level: | acceso abierto |
| Palabra clave: | creative act fiction disturbing narrative referentiality mimesis acto creativo ficción narración perturbadora referencialidad mímesis |
| Sumario: | The present work starts from considering the author’s own creative process as a matter of aesthetic reflection. To that end, we first demarcate conceptual aspects related to the nature of the creative process in the field of narration. It reflects on the nature of aesthetic creation as such and on its relationship with the peculiar handling of linguistic resources made by the author. Likewise, the mimetic character of fiction is established because it is constituted as a representation of the real through language. From those indicated, it is demonstrated that the strategies of the disturbing narration proposed by Sabine Schlickers (2017) and their aesthetic effects in the reception of the texts corroborate the mimetic character of the narration, precisely because that character is the result of a use singular language. In that way, it is underscored the impossibility of art, in general, and narration working outside the referent from which they necessarily start and to which they necessarily appeal. |
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